A SYMPOSIUM ON THE PERCEPTION AND

OWNERSHIP OF THE DUTCH LANGUAGE

MONDONGO:

Pictures by Dana LaMonda, courtesy Stroom Den Haag | Event: Positions Afterlives | Location: Stroom Den Haag

Positions is the ongoing program of Stroom Den Haag showcasing contemporary art practices in The Hague. With Positions: Afterlives, Stroom introduces a new series of events that focuses on the manifold ways in which colonial histories are experienced in the present. The year 2023 marks the 150-year anniversary of the abolition of slavery by the Dutch state in its former colonies. While this is often seen as a historic event that neatly ended legalised injustices, the program invites artistic perspectives that point to the ever- reverberating shapes of this past: its afterlives. The participating artists present imaginations of the impact felt today by the laws and legacies of the past. How do they affect our current lives, archives, languages and senses of belonging? With Sarojini Lewis, Travis Geertruida, Sabine Groenewegen and Ruben Lacruz.


I hosted this symposium for the second event in the Positions: Afterlives series. In Papiamentu ‘mondongo’ means intestines and bellies of cattle and pigs. With this title I want to refer to the inner being. Maybe not the soul but the gut. That which fuels us and lives deep within. Through this symposium I want to bring what lies deep in the inner to light, and give it new life. - It is what I need to finally make peace with the language this kingdom casted upon me

(1) Apologue: Conquered

They came to her shores uninvited. They cleared her fields of native grass and planted the trees they wanted to see. They shaped her into their image, calculated and controlled. All her creatures were categorised and placed into their ‘proper’ role.

There were the hoofed creatures, the belly crawlers, the ocean creatures, the insects and the birds. The hoofed creatures were put to work, the belly crawlers and the ocean creatures were hunted for food, and the insects were crushed and used as medicine. Us birds were mostly left alone. We only had to look pretty and sing. To them we were entertainment, beautiful things to enjoy.

This was their world now, so we had to sing their songs. Our tongues were twisted and mouths reshaped to make the tunes their ears liked. If we did it wrong we were deemed lesser, unlearned, ‘onbeschaafd’, or just plain wrong.

Unpleasant birds are not kept, they are kicked out of the garden or worse, stoned to death. The pretty, desirable birds were kept in cages. No longer allowed to fly free, now forever caged for the amusement of the foreigners.

So we learned to keep quiet. Soon the land fell still, only a few birds occasionally sang the foreigners song, those already in cages. They were the few that knew how to land the accent right. - This is how we all lived for many years. Hoofed at work, crawlers and fish dwindling away, buzzing bugs swatted without a care, birds in cages, and not a single local song was heard.

Even I was captured, and kept as a pet. But finally one day one bird had enough, so she broke out of her enclosure, and flew to the top of the highest mountain in the land, where no stone could reach her. There she belted out a medley composed out of a selection of both foreign and local songs. She weaved the two together, making mistakes and funny rhymes. It was a new sound, one that all could find themselves in. It was a song of compromise and freedom.

Many stones were thrown, but they could not knock her down. They were forced to listen. Her song spread over the country, bringing hope to those stuck in roles they did not choose, and a new perspective to those trapped in boxes they created.

Picture by Chiou Mian Lin | Location: Christoffelberg

Picture by Elvis Chen

(2) Climbing a Mountain

A mountain is a seductive creature. It lures you in with the glory of its summit. It ensnares you, daring you with its impossible cliffs. It tells you that you will not know the world until you have seen it from its point of view. And for this it is completely true.

A mountain is a roadway to metamorphous. The one who starts the climb is not the one that will finish it. On top you are new. You will see more. You will have done more. Now let us hope you can carry it with you back down.

Pictures by Dana LaMonda, 
courtesy Stroom Den Haag

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A Shrine of Household Deities (2023)